Infinite Baffle Subwoofer

After reading about Infinite Baffle subs for some time, I was keen to try one. The turning point came when someone wanted some information about the Venom 15inch driver available here in Australia through Jaycar.

Photo - IB manifold with drivers and grille
Manifold mounts through the wall
Only the grille is visible


I have been building up some designs for the Jaycar drivers, but hadn't done any for the Venoms because the low Xmax and high-ish Vas didn't augur well for my preferred EBS ported designs.

It was then that I looked at doing up some IB designs using 4, 8 or 12 drivers.

The IB4 IB8 and IB12 design work is on the 15inch Venom driver page

Having awoken my inner bass monster, I felt that I had no choice but to build the twelve driver design. A pair of six-driver manifolds have been built and installed giving around 22 litres displacement. A Behringer EP2500 amp is used to power this bit of extravagance.

Room EQ Wizard was used to choose the best location for the manifolds, which turned out to be wall mounted either side of the original seating position.
The manifold design is a result of reading the advice available at the Cult of the Infinitely Baffled


Some of the ideas used are:


I'm glad I didn't try to fit these into the ceiling.
Each manifold with drivers weighs 75kg (165lbs)


WinISD predictions


SPL graph
The blue solid line is for when excursion is kept to 12.5mm
The blue shaded area is for when excursion is allowed out to 20mm, which is the suggested Xlim. It's the zone where cone breakup leads to distortion, and thus represents 4dB of emergency headroom rather than a normal operating region.
The green lines show what can be expected after room gain is added and some cuts are made to the higher frequencies



Excursion graph
The black line is the resulting excursion with 670w applied
The grey line is the resulting excursion 1700w applied


Here is the response at the current seating position using the EP2500 amp

Response graph
The grey curve is with the amp only
The red curve is with the BFD applying seven filters


Just for interest, here are the seven filters used to smooth the response

BFD Filters


Connection and Calibration

A short RCA to XLR cable (as per the Behringer specifications), connects the AV reciever to the BFD.
The long run to the EP2500 in the "engine" room, is handled by a balanced XLR to XLR cable to cut down on induced noise.
Had I wanted the BFD the other room, I would look at building an unbalanced-to-balanced converter

The BFD has a bar graph showing input / output level, including yellow warning and red clipping indicators.

A nice feature of the EP2500 is that you can parallel the inputs using a DIP switch, saving a Y-connection and additional input plug.

With the EP2500 off and the BFD filters active , I experimented with output levels on the AV receiver.

Wiring diagram

Quick tip!

The BFD can work with either a -10dB setting or a +4dB setting. I used the -10dB setting as suggested by the "Cult" experts, and found it was fine. For those with a much higher output level from their AV amp, switching to the alternate setting will effectively cut the working range inside the BFD by 14dB. Note that this does not change the output level of the BFD


If your signal is too low to fully drive your subwoofer amplifier, you'll need a level shifter, such as the ART Cleanbox. It also handles the RCA to XLR conversion for you. It does need a small mod to be used with subwoofers. See full details on the Cleanbox page.



I found that my existing scheme for setting the subwoofer trim caused the yellow warning leds to light occasionally on the loudest peaks - just what I wanted!

With the BFD outputing the largest possible range without clipping, the next step was to work out where to set the controls on the EP2500.
By slowly increasing the volume and listening carefully, along with some SPL measurements, I found that the EP2500 attenuators can be set fully clockwise. The maximum SPL delivered is between 115 - 120dB at the seat. This works out quite well as it means that the volume can't be inadvertantly turned up too high.

Given that the BFD input is set for the more sensitive range, the EP2500 is not being driven to it's full capacity.
A modified cleanbox is on the way, so there may yet be more cracks in the old house.

Wiring diagram


So how does it sound now?

Certainly it's loud enough to move the house around.
I'll let you know more when I've worked out how to measure the power into the drivers.


Meanwhile, here's a quote from Chrisbee at the "Cult" where he is cautioning against building a huge IB for a small room.


Do not underestimate the brute power of low frequency pressure waves causing sympathetic vibration in building surfaces.

It is not the mechanical vibration of the drivers but the invisible cyclic air pressure changes that will make themselves felt.

You cannot brace against these. My modest 4 x 15" can make the whole roof creak on the REW test sweep and the floor turn to jelly.

The doors vibrate so hard that my full weight leaning on them makes not an ounce of difference. The force is irresistible.

Others have reported waves crossing solid concrete floors.

Walls and ceilings are even more subject to flexure than floors.

The latter are always more heavily built to withstand crowded parties and heavy furniture.

It would be a shame if your installation's potential was limited by the structure of the house.

Start digging for a reinforced concrete cellar?


This was before he converted his array into a manifold setup, which has less vibration. Still paints an impressive picture though!

He is using four AE IB15s giving a displacement of around 9 litres


The Gallery

The IB4 IB8 and IB12 designs on the 15inch Venom driver page

The driver wiring options page shows how this system can be wired, as well as options for the 4 and 8 driver designs.


/ib.htm last modified: 31 December 2018
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